How to write a good start for a book. We give you some keys for it
How to write a good start for a book. This is the question that we are going to try to answer you next
Writing a good start to a book is one of the most difficult points for a writer. A decisive element for the publisher and an important moment for the reader. How does this beginning have to be so that it realizes the bonanza of the work and at the same time encourages people to want to know more about the book? Answering this question is not easy, but we will try it in this article.
The beginning. These magic words will achieve the wonder that your book is chosen, among the thousands of titles that exist, to be the next to be published or to fill a reader’s time. One of the first challenges posed by writing a book and from which it is necessary to be victorious.
In this article we are going to try to dismantle some of those myths that run around about the perfect principle. What is it? Each book has its own. In this case, it would be absurd to propose a portion of these that they are taking now, of the type: “Discover how to make a masterful start in 10 steps”. That is impossible and we, of course, are not going to do it this time. There are no facilities, no specific points, no absolute questions, just magic and keep reading.
The first words of a book are. A succession of letters with holes, a sophisticated mechanism of syntactic architecture, a series of visions, emotions and facts. How do you propose them and be able to make the reader evoke them to continue reading, want more, know more, delve into what we have just started .
They say that the beginning of a book should be shocking, it should shake whoever reads it, but that is not entirely true. There are great principles that don’t do any of that. For example, because they have made us fall in love in the first paragraph of the main character. It can be achieved only with your description, with a few words from your mouth or with a simple action of your body. The emotions that can be transmitted in a paragraph are so curious that there are no general rules to make it perfect. Hence its difficulty and its charm.
Another myth is that of thinking that, in those first strokes, a million questions must be left unanswered that the reader will want to satisfy later. Another half-truth; you can do thousands of them. But if the topic or what you are raising them about does not have the right combination, the reader will not want to know more about the story. We don’t always want to know the answer to all questions. When we start writing a book, in addition to good questions, we have to have good answers in our head. And, be careful, that does not mean that the beginning of a book is the first thing we write about it.
And here we come to another of the points that correspond to those myths. When to write the beginning of a book? No rules. Many writers write the beginning of their work at the end of their creative process. Others as they are inspired and, of course, there are those who fit into the pattern of Vox Ghostwriting the beginning of their book first. Regardless of when, the beginning is so important that it will require many hours of dedication before being the final one. A good start requires low heat and a lot of care.
Those first words have to sound good, fall in love, and act as a spring that encourages you to continue reading. Just like it should happen at the end of a chapter. For example, how many times have we left a book in its first chapters after beginning to read it with fervor? Surely many, hence although it is a very important part of the book, it is not the heights.
You have to remove the iron from those first letters, lose your fear. Think that if you have a good story, the beginning of the book can be good too. If you have a lot of juicy elements, it will not cost you to start your work with one of them. And it doesn’t have to be the best, far from it.
What you tell is as important as how you tell it, how it sounds, how it represents what will come next. Fireworks are of little use, if then we do not offer the reader a true sway of suggested emotions. Those beginnings in which everything is imposed but if you continue reading later, you will not find any of the promises fulfilled, or very few of them. Those are the worst. Those beginnings get the reader to keep reading but, if what comes next disappoints them, they will take care not to fall back into the networks of that author.
We have cleared up all these points and debunked some of the more common myths. Now we will tell you that there is no formula that can be applied to all books. There is no general rule of thumb that all good starts will fit in. The most important thing is that once you are clear about what is going to be written and how it is going to be told. If so, look for a succession of events and emotions. a single crucial, important and evocative moment.
And we get to the heart of the matter, we find the key word: evoke. That is the right word, the only rule of every good principle, it must be evocative. Move the reader elsewhere. It should let you intuit the magic that you will find if you keep reading. You must teach him all those emotions that he will live intensely if he accompanies you and continues listening to everything you have to tell him.
How that evocation is created, looking for the right words, those that as a whole are capable of expressing beyond themselves. The reader must be able to make a very clear composition of place. He must live what you are telling him so vividly that, regardless of the questions you ask, he will want to continue reading. You will want to continue living in that world that you have barely glimpsed. You will want to find out for yourself without anyone making a commercial for it.
The main concern at the beginning of a book is that it be able to express emotions in words. Places common to the entire work. A precise moment that will then fit perfectly into the engineering master plan of writing a book.
It may be that, at this point in the article, you begin to ask yourself what now. We can only say that this is not all we can tell you about a good beginning. It would be dishonest to say it and absurd to think it; since we could fill hours and entire books talking about a good start. Of course, we hope that if you have come this far you have done it with pleasure. Extracting valid ideas to apply them when writing your perfect start, yours and that of your work.